Chapter 2, Voices of Reunion - The Radio Revival
The sensation was like tumbling through a kaleidoscope of sound and colour. Vinnie felt his stripes blur into ribbons of black and white that stretched and twisted around him. Somewhere in the swirling chaos, he could hear his friends calling out—Ursula's voice echoing as if from the bottom of an ocean, Trevor's bark distorted like a record played at the wrong speed.
The music from the radio grew louder, surrounding them completely. But it wasn't just "Dancing Under the Stars" anymore. Vinnie heard fragments of other songs weaving in and out—swing numbers, celebratory fanfares, the crackle of static, and underneath it all, the distant sound of church bells ringing joyfully.
Then, as suddenly as it had begun, everything stopped.
Vinnie found himself lying on a wooden floor, his vision slowly clearing. The first thing he noticed was that everything looked different—sepia-toned, like an old photograph. The second thing he noticed was that he was no longer in The Curious Lounge.
"Everyone okay?" he called out, his voice sounding strangely muffled.
Around him, his friends were picking themselves up and looking around in bewilderment. They were in what appeared to be a radio studio—but not a modern one. Thick microphones hung from the ceiling on heavy stands, and banks of enormous switches and dials covered the walls. Everything was made of brass, wood, and bakelite, with not a single piece of plastic in sight.
"Where are we?" whispered Fred, fluttering her wings nervously.
Steeeve was already tapping furiously on his laptop. "Fascinating. My chronometer readings suggest we're in... 1946? Just after the war ended, it seems."
"Look at yourselves," said Sarah Jessica Llama, pointing with her hoof.
They did, and gasped. While they were still themselves, they looked different—slightly faded, as if they weren't quite solid. When Vinnie moved his hoof, he could see right through it to the floorboards beneath.
"We're like ghosts," murmured Ursula, watching one of her tentacles phase through a chair.
"Semi-corporeal," Steeeve corrected. "We appear to exist in a state between dimensions."
Columbus was sniffing the air excitedly. "But I can smell everything! Old tobacco, machine oil, and..." He paused, his tail starting to wag. "People! There are people here!"
Through the large window that looked out from the studio, they could see into another room where several humans in 1940s clothing were bustling about with papers and clipboards. A woman in a smart jacket was speaking excitedly to a man in suspenders, while another man adjusted a large microphone. Everyone seemed to be in high spirits.
"Radio Britannia," read Moira Rose, squinting at a sign on the wall. "London, 1946."
"Post-war broadcasting," said Beatrix, hovering near the window. "Everyone looks so happy!"
As if summoned by her words, the door to their studio burst open. A young woman in a navy blue dress rushed in, carrying a script and beaming with joy. She had victory rolls in her hair and wore bright red lipstick that stood out in the sepia world around them.
She walked right through Trevor, who yelped in surprise.
"She can't see us," observed Milo, padding over to sniff at the woman's heels as she passed through him too.
The woman sat down at the main microphone and shuffled her papers, her hands trembling with excitement rather than nerves. Through the window, someone in the control room held up three fingers, then two, then one, then pointed at her.
"Good evening, everyone," she said into the microphone, her voice bubbling with emotion. "This is Radio Britannia, and I'm Dorothy Hartwell. Tonight we're celebrating something wonderful—families reuniting, loved ones coming home, and the beautiful music that welcomed them back."
The friends gathered around the microphone, fascinated.
"She's broadcasting reunion stories," said Fred softly. "People meeting again after being apart for so long."
Dorothy began to speak about letters from families, her voice warm and joyful. "Tonight we have messages from wives welcoming husbands home, children meeting fathers they barely remember, and sweethearts reunited at last. This music is for everyone who waited, everyone who hoped, and everyone who never gave up believing they'd see their loved ones again."
But as she spoke, the friends noticed something odd. The studio around them was flickering, like a candle in the wind.
"Something's wrong," said Vinnie. "Look at the edges."
Indeed, the room seemed to be fraying at the corners. Dark spots appeared and spread, eating away at the walls and equipment.
"The broadcast is failing," said Steeeve, his laptop screen flashing with warnings. "Whatever brought us here, it's unstable."
Dorothy's voice began to waver and crack, like a radio signal breaking up. She looked around in confusion as her script began to fade in her hands.
"We have to help her," said Ursula urgently. "These reunion stories—they're so important. Families need to hear that others are finding each other again."
"But how?" asked Columbus. "We're ghosts!"
Fred hopped forward determinedly. "When I touched the radio dial, it responded to me. Maybe we can interact with things here after all."
Without waiting for an answer, she fluttered up to the microphone stand and pressed her tiny body against it. To everyone's amazement, her glow seemed to transfer into the metal, and Dorothy's voice strengthened.
"It's working!" cried Beatrix. "Everyone, touch something!"
The friends spread out across the studio. Vinnie pressed his hooves against the main broadcasting panel, Ursula wrapped her tentacles around the power cables, and Trevor leaned his whole body against a bank of switches. One by one, their ghostly light flowed into the equipment.
The room stopped flickering. Dorothy's voice became clear and strong again, and she smiled as she continued sharing stories of joyful reunions and reading letters from families who had found each other again.
"Extraordinary," murmured Steeeve, his tentacle-tips dancing across his laptop. "We're not just observing history—we're helping to preserve these precious moments of connection."
As Dorothy finished her broadcast with a recording of "Dancing Under the Stars"—the same song that had started their adventure—the friends felt a familiar tingle.
"Here we go again," said Vinnie, as the blue light began to swirl around them once more.
But just before they vanished, Dorothy looked up from her script, directly at where they stood. For just a moment, her eyes seemed to see them, and she smiled and mouthed a single word: "Thank you."
Then the light consumed them, and once again, they tumbled through time.